Before the recitation in Ruq'ah script and Dard script on pages [ ] Kharb, Mim, Noon, Alif, Da'a, 'Ain, Haa, Mim, Noon, recitation.

The opening of the text and margins is in Ruq'ah script, with excellent and beautiful gold embellishments. The Surahs are written in the common pages and margins in gold.

The Surahs and their names are written in Riq'ah script on the pages, with gold embellishments between the lines. The translation into Persian is at the bottom of the lines in Nastaliq script. It was written by Sayyid al-Qasim Isfahani, and this copy was presented to Fath-Ali Shah Qajar, and it has been decorated, embellished, and bound. This meaning is in four pages at the end of the Quranic text in Ruq'ah script, and its style is similar to the text script, with excellent clarity. Some pages are outside the Quranic text in Ruq'ah script.

1. Tarikh - Zib al-'Abidin Qazvini

Written by the servant of God, the supplicant for the permanence of the victorious and resplendent state, Ibn Nashir al-Ahadeeth al-Layl al-Ma'sumi al-Fuwaiqi.

Completed on the morning of Thursday, the fourteenth of Dhu al-Qi'dah. In the Sultanate House, Isfahan.

Zib al-'Abidin Abu Abd al-Nabi Muhammad Qazvini, one of the prominent and contemporary calligraphers and the special scribe of Fath-Ali Shah Qajar, who, during his stay in Isfahan, was honored with his presence and the blessings of his existence. His calligraphic works are considered miracles and a source of pride. He was also a poet, and from the year 1211 to the year 1230, he wrote in the Thuluth script with power, elegance, and firmness, and these scripts are considered superior by the masters of this art.

Works of Isfahan.

Quran.

Binding: Oil-based, excellent. Work of Lutfallah Shirazi.

Paper: Isfahani paper, with borders and margins.