Facsimile · p. 522
454 MERGE TO GYRENE.
the purpose of chastisement, or whether it is intended to represent the performance of some magic ceremony. The finger which is raised towards the lips of this figure seems rather to be indicative of imposing silence than of conveying admonition ; and the arm and hand of the person kneeling appear to be more expressive of veneration or submission, than of either alarm or supphcation. There is a curious appearance on the head of this figure which somewhat resembles in form the twisted lock of the Egyptian Horus, but its colour is decidedly red, while that of the other parts of the head are uncertain. The lower part of this figure has been so much rubbed as to be nearly unintelligible, and the face has disappeared altogether. A similar accident has happened to one of the preceding figures, the lower part of which is not now distinguishable. In the third group we see a female figure with a helmet closely fitted to the shape of the head, bearing on her shoulder an ark, or canistrum ; a second female, attired in white, is represented walking, and looking back towards the other, whom she is beckoning to advance.
The folds of the white drapery have nearly disappeared, and little more is left of it than the outline. The helmet of the first-mentioned figure of this group is painted red, and the back part of it, with a portion of the arm, is rubbed out. The fourth design represents a young man asleep, and a matron apparently watching over him, who appears, from her countenance and action, as well as from the garment which is thrown over her head, to be labouring under some affliction. In the fifth we observe a female figure sitting, and apparently employed in spinning ; by her side is a youth of ten or twelve