Dervish Kamal's calligraphy was a masterpiece of skill; his Shikasteh script was the result of dedicated effort. He not only brought his calligraphy to the highest level of perfection but also achieved unparalleled beauty and elegance. His mastery of the pen was unmatched, as he wrote even the most intricate and delicate scripts with exceptional clarity. Although Dervish passed away in his youth, his works remain, surpassing those of many calligraphers. His existing manuscripts, and even his later works, were written within a period of thirteen years. Dervish was also a poet, using the pen names "Khamush" and "Majid." A collection of his ghazals, numbering around two thousand, is extant. Among his students, Mirza Kuchak Isfahani and Fazl'ali Beg Dunbali are well-known. This event took place in Isfahan. Dervish passed away in the year 1111 AH. A leather-bound, black, patterned Quran with a half-pattern, a gold-leafed, double-page illuminated frontispiece, with gold inlay between the lines, and a gold-leafed title page, written in the Nasta'liq script by Muhammad Reza, dated 1111 AH. "The book was completed with the help of God the All-Powerful, in the early days of the month of Sha'ban al-Mu'azzam, year 1111 AH." In the blessed city of Isfahan, may God protect it. The humble servant Muhammad Reza. Muhammad Reza of Isfahan, known as "Dara," son of Abd al-Aziz, was a contemporary and student of Dervish. He was also a student of Abd al-Majid and was a scribe for Ismail Sultan Khwushani. He transcribed many books for him, including Ferdowsi's Shahnameh. His skill in calligraphy was so highly praised that it was said that when Dervish was asked about Muhammad Reza's calligraphy, he replied, "The piece is from the Dafter-e-Heba." The manuscript is dated 1111 AH. I have not seen the date of his death, but it was in the year 1111 AH. A lacquered album containing thirteen Shikasteh manuscripts. Dervish Abd al-Majid, Shafia, Nasta'liq by Mir Emad, Nur al-Dez Ali.