116 JOURNEY TO CENTRAL AFRICA.

the Theban Jupiter, by Osirei and his son, Remeses the Great, the supposed Sesostris, nearly fourteen hundred years before the Christian era. It is small, compared with the other ruins, but interesting from its rude and massive style, a remnant of the early period of Egyptian architecture. The two pylons in front of it are shattered down, and the dromos of sphinxes has entirely disappeared. The portico is supported by a single row of ten columns, which neither resemble each other, nor are separated by equal spaces. What is most singular, is the fact that notwithstanding this disproportion, which is also observable in the doorways, the general effect is harmonious. We tried to fathom the secret of this, and found no other explanation than in the lowness of the building, and the rough granite blocks of which it is built. One seeks no proportion in a natural temple of rock, or a cirque of Druid stones. All that the eye requires is rude strength, with a certain approach to order. Tho effect produced by this temple is of a similar character, barring its historical interest. Its dimensions are too small to be imposing, and I found, after passing it several times, that I valued it more as a feature in the landscape, than for its own sake.

The sand and pebbles clattered under the hoofs of our horses, as we galloped up the gorge of Bihan el Molooh, the " Gates of the Kings." The sides are perpendicular cliffs of yellow rock, which increased in height, the further we advanced, and at last terminated in a sort of basin, shut in by precipices several hundred feet in height and broken into fantastic turrets, gables and pinnacles. The bottom is filled with huge heaps of sand and broken stones, left from the excavation of the tombs in the solid rock. There are twenty-one tombs